REVIEWS |
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No outline intervenes in the
direct dialogue of the brush and the canvas on which he lays rich,
abundant colour, dense and expressive, creating a setting for the
interplay of satire and tragedy. Pourquoi Pas Brussels 1980 |
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Where other expressionists end, Frenkiel
begins… forms that had degenerated are now regenerated. And
the tool for this redemption is the most material of all means:
colour…. Frenkiel’s painting comes full circle: his
canvases become at the same time terrifying and purifying. Pierre Rouve, Arts Review, 15th December 1973
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