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The present book is intended as a tribute principally
to Stanislaw Frenkiel's achievements as an artist; but so interwoven
were these with, for example, his literary attainments and his
pedagogical ideas that some discussion of such other areas of
activity could hardly have been omitted. The book has been developed
from an original intention to reproduce a substancial number of
paintings accompanied by a shortish critical essay. The essay,
somewhat modified, appears as part III of the book. Though modest
in scope (for reasons explained below), the book now represents
a considerable extension of the original idea. Whilst it was at
first intended to restrict the discussion to painting, it soon
became clear that dispite the artist's contention that the pictorial
language of line and that of colour was, for him, antithetical,
his struggle to reconcile these elements was of central importance
to his work. Therefore his drawings (particularly
the Beirut series) and his etchings
(a medium he had explored more fully in recent years) have been
given a more prominent place than anticipated.....Anthony
Dyson 2001
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